the children of Marx and Coca-cola; we control our thoughts which means nothing, and not our emotions which means everything; it's impossible to always live alone, without tenderness you'd shoot yourself
Preoccupied with youth culture and consumer products such as pop music, Coca-Cola, automobiles, and with cinema itself. Note the absence of close-ups, credits and soundtrack inserted at seemingly incongruent intervals, long take and continuous tracking shot of extended duration which now becoming a recurring motif in director's arsenal.