在歌舞片维度引入了真正“新”的东西:歌舞场景的无规则性和梦境质感(《СЕКС俄罗斯ВЕДО免费》的炫技比之高下立判)且歌舞本身甚至被拿来创造无法被定义的“新”的情绪(如:conductor的Excuse me一段)The realization of the two relies fundamentally on the film’s expressive cinematography.
René, a Caucasian accountant at embassy poured scorn on Chinese acrobatics before he, in a split second, swooned over John Lone’s Madame Butterfly, a spy disguising as an Opera diva and a lad masquerading as a lady in cheongsam and a slave who never naked before his lord.