#literary festival#放映后原著作者答疑时说Bruno不代表任何人群如果非要说的话也就是站在围栏外向集中营里望去疑惑和思考who r they? what r they doing?的我们不狗血的结尾悠奇爱是为了让孩子们和其他观众有所感触更多地认识和思考这段历史有时间挺想看看书的p.s.,从正太到大叔各种熟脸~
It is incredibly admirable how various female directors and screenwriters adapt women's stories and books not based on an attempt to dramatize but based on sensitivity towards what has been considered somehow "uniquely" womanly. It also takes a normalizing stance towards social anxiety, mental illness, and LGBTQ. Such is life, brutal but honest.