Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
何川静雯:210.35.210.24
这是导演和姐姐的故事巧的是末尾演莫里哀的Trissotin也是刚看过的《谎言使用法则电视剧》“真奇怪啊起初我们明明讨厌对方”青春就是这样的一言难尽五年后导演拍下了母亲的故事“Coup de foudre-1983”那个结尾则成了这部的开头