The different universes and atmospheres created by David Lynch always show a strong level of originality, as if the director was focused on creating something radically unique - a delicate balance of opposites, at the frontier of underground ultra-violence & perversion and heart-warming & simplistic vintage feelings. Freud meets Disney in heartland America. In trying to preserve such an ambitious equilibrium, Lynch does miss the mark at times. While Twin Peaks succeeded with absolute perfection in creating a heavenly space-time recently scourged by evil forces, Wild at Heart mixes the genres and styles in confusion, committing a “faute de goût" both in terms of aesthetics and script
很黑暗这种半自传体应该是要在尖锐的反美式精英环境议题下用遥远而柔和的东西安慰自己的在我眼里显然失败了生在特权家庭的孩子面对的又是另一种骇人的极恶世界money cannot buy a goodheartbut can destroy a goodone很多人一谈到阶级政治就忽视了真正宝藏的东西将大人的恶无限投射到初入世的小孩身上恶性循环正迎合了这副边做奶水边喷H高H共妻光景所以我仍是流下了心寒的泪