相比金凯瑞其他的奇异怪诞这次定调在了积极乐观上用一个死宅荒诞的yes契约引出了最后的思考:即yes or no都不是正解随着公交车一晃一晃一撞一下有时候maybe is fine你只有yes的话意味着你失去了no的同时也失去了自我要对别人say yes不是因为你必须这样而是因为你心里明白你想要这样但这种上世纪风格的喜剧剧情展开还是稍显单薄和脱离现实了些
Our smallest acts of kindness can cause a chain reaction of unforeseen benefits for people we've never met. We might not witness those results, but they happen all the same.