The pre/not-making of a painting. The painter, the artist, the bellmaker and other craftsman, and the filmmaker are all effectively auteur for certain type of work. That’s the allegory I got. However, I don’t think the non-historicising technique can afford the hyper-historicised story
politique-sociologie-métaphysique-cosmopolitisme; Long plan séquence, travelling Noir et blanc, Deconstruction de modernité/ lumière, Obscurité; Krasznahorkai, la boue, désespoir. premier fois pour le ciné-club de Paris VIII