很大的享受草地上暗红色人像雕塑和餐厅四角上的立人像很美是否榕树向一侧弯下来几乎形成拱门there is no love,only prove of love.It is all doctor's fault, i am able to walk.(昨天波兰那导演写欧洲人是有“回家”传统的这里由一个美国19岁的小姑娘来扮演这种寻觅和回归顺带写一写她的爱情想象和实体的寻觅和回归嗯童养媳古言HH这样两条线比较丰满一点女一号某些时刻的沉静真让人屏息凝神诗里“绿拖鞋”我愿意视作隐喻)
3.75/5 The second instalment in the trilogy sees Hulot traversing between the rustic old neighbourhoods and a futuristic landscape marked by ultra-modern houses, automobiles and modern household gadgets. Tati, through his brilliant cinematography, lampoons the histrionics and madness brought by consumer capitalism and laments the disappearance of