如何用喜剧来表达对敌人的蔑视刘别谦的"To Be or Not to Be"给出了标准答案他对纳粹德国最高级的嘲讽就是把他们发动的战争描绘为一场儿戏一般的闹剧剧中核心的笑料都产生于戏里与戏外之间的张力地带戏中人分不清真真假假假我们观众却在无数次的真假切换后看出了战争本身的荒诞昆丁一路戏说剧的源头就在此
I wish we always stay in phase 2 where we get to be each other and in love. I will try, if it did not work, I’ll try harder. 如果看完有什么感触的话那就是我不想努力了I’m tired. I don’t think u r the one. I don’t wanna try, or keep trying.