Creating a Brechtian distanciation via self-reflexivity and intertextuality, it deconstructs traditional film expressions while remains an aesthetical and philosophical classism, where subjectivity of the heroine - a martyr to capitalist patriarchy - is circumscribed for effect.
从此爱上这个男人07.6.2|We’ll always have Paris.从Rick去赌场帮助年轻男人赢钱那里就忍不住T_T.貌似微小的决定和不经意的动作背后更多的是智慧、勇敢和担当不是简单的送人离开而是周密的布局安排好店里的一切只把极高的风险留给自己女人在做戏还是真心已不再重要...他是真的了不起十几年前大概只是看了个热闹吧21.4.19